Florence Cook (1856-1904) is best remembered as the medium who was able
to produce the full materialization of her controls, the first of these
being Katie King. Following the widespread attention that she
attracted, becoming a household name within nineteenth century
Spiritualism, she continued her remarkable physical mediumship into the
current century. Although she married in 1874, becoming Mrs Corner, it
is the name of Florence Cook that has continued to be associated with
some of the most remarkable physical mediumship witnessed in this
country. It was after her fourteenth birthday, that the Cook household noticed
that Florence began to fall into trance states. One record of how
Florence developed her mediumship is that she began experiments with
her friend and her family, and it was at this time that her talents
became evident. She was advised by spirit communicators of her future
skills and directed to the Spiritualist Association at Dalston, in East
London, and participated in their activities.
With support and encouragement from the circle that she joined,
Florence's mediumship continued to develop; her abilities came to
public notice with mention of her mediumship in the Spiritualist in
1871. She worked with other physical mediums, and further development
occurred with her becoming acquainted with her own control, Katie King,
the daughter of John King and his wife (also called Katie). Under
Katie's direction, Florence, still a young girl, began to use a cabinet
in her mediumistic work; initially, there were materializations, but
only in a basic form, and attempts were made to assist the next - world
visitors to manifest themselves entirely.
When only fifteen years of age, Florence lost her employment as a
teacher due to poltergeist - type phenomena that occurred when she was
present at the school, and consequently, she was able to fully devote
herself to her development.
In this period, when physical mediumship was not so rare as the present
time, there was a definite pressure on novice mediums to develop. Two
other young physical mediums, e.g. Kate Cook (Florence's sister) and
Mary Showers, were coming to prominence and attracting attention;
Florence therefore continued to develop her mediumship to facilitate
full materializations. This occurred in 1873 when the materialization
of Katie King joined the circle: a momentous event indeed, as, 'she
represented for confirmed Spiritualists the final empirical evidence
for the reality of spirit life and the existence of an unseen
world'. Florence had agreed that a reporter from the Daily Telegraph
be present during her seances; on the first occasion, he saw faces, and
the following year he witnessed the materialization of Katie King and
took photographs of her. In view of the the precautions taken, i.e.,
Florence bound with seals, 'he was baffled'. The reports by the
journalist appeared in the Daily Telegraph of 10 October 1872 and 12
August 1873.
The success of Florence's abilities led to various prominent persons
attending her seances and the inevitable patronage. In 1872, she had
begun to receive financial support from the businessman and
Spiritualist, Charles Blackburn, that ensured she would be able to
develop her mediumship. Podmore remarked on how she 'took no money from
her seances', and through Blackburn, she was 'free to give her services
when required'.
In December 1873, Volckmann (who later married the medium, Mrs Guppy,
who was extremely jealous of Florence's success), was present at a
seance and attempted to seize Katie King. Two other sitters took hold
of him (in the course of which, he lost part of his beard) and
prevented any serious damage occurring. Dunphy, a barrister and writer,
witnessed the event and said that Katie partly dematerialized during
the escapade. On examining Florence, she was still secure with tape and
a seal, as at the beginning of the seance.
As reported in the Daily Telegraph, 13 January 1880, Sitwell, one of
the sitters at a seance at the BNAS, seized the materialization and
found Florence to be missing from the cabinet, and declared her to be a
fraud. It was admitted by one of the sitters who had the responsibility
of securing Florence that it had been deliberately arranged that the
medium could free herself. Supporters of Florence argued this was a
case of unconscious fraud, as claimed with Eusapia Palladino in
following years, while in a trance - state; there was also of course a
state of confusion after Sitwell's action. However the incident is
interpreted, it is interesting to note that in his book, Lights and
Shadows of Spiritualism (1877), D. D. Home, who was highly critical of
other mediums and described fraudulent behaviour in the book, referred
to the materializations produced by Florence as providing 'undeniable
certainty of the phenomenon'.
Florence encouraged a happy and lively atmosphere at her seances,
believing that it assisted the phenomena. Undoubtedly, Katie King
promoted this as she 'was known for her fun - loving attitude and a
certain amount of roguishness was accepted with good grace'. After
Crookes became involved in Florence's mediumship in 1872, he wrote in
the Spiritualist (April 1874) of a recent seance, and related how,
'Katie never appeared to greater perfection, and for nearly two hours
she walked about the room, conversing familiarly with those present'.
Unfortunately, Katie's forwardness and Crookes's fondness for her
created problems that has soured his involvement ever since: Crookes's
response to Katie 'caused offence amongst some spiritualist observers
who were apparently unimpressed by Crookes' standard of morality and
scientific impartiality'. There were accusations about Crookes allowing fraud to be committed by
Florence due to the relationship with her, but Beloff, while
recognizing the difficulties that are present, offers a number of
decisive reasons for rejecting the accusations made.
Something needs to be said about Crookes's involvement with Florence's
mediumship as the accusations made against him may be viewed as
invalidating at least some of Florence's mediumship. Firstly, Crookes
brought about much of the criticism that was directed towards him, e.g.
he unwisely quoted from Don Juan to describe Katie's 'perfect beauty'.
Additionally, he was less than consistent in his attitude: he was
initially prompted to enquire into Spiritualism after the death of his
brother in 1867. By 1870, he apparently accepted that the dead could
communicate, and his biography stated that at this point, he was a
'convinced spiritualist', and certain events support this view.
However, he chose not to openly display this belief, and offered a
clinical view of the subject, referring to some aspects of Spiritualism
as 'worthless' that should be categorized as 'the limbo of magic and
necromancy'; he further argued that it was 'a subject which, perhaps,
more than any other lends itself to trickery and deception'. By
1874, he wrote that he had been unable to obtain proof that the dead
were able to communicate, and believed that spirit communications might
originate from non-human agencies rather than the dead, a view that
surely arose from his interest in the Theosophical Society, of which he
was a member for over thirty years.
When he spoke at the SPR on 2 November 1895, he stated that all the
mediums that he had seen, 'with hardly any exception [the exception
being D. D. Home]... resorted to trickery'. Later, with age, and
certainly after 1916, with the death of his wife, he not only returned
to his earlier stance, but went further, e.g. accepting spirit
photography of his wife that was felt by others to have been produced
by fraud. While persons are of course fully entitled to be sceptical or
develop their thinking, Crookes's change of opinion that went more than
full circle, and was primarily effected through his own personal
circumstances, hardly inspires much confidence in his conclusions. This
is apart from the fact that he 'left no records of his seances... that
would satisfy a skeptic's thirst for precise data', and he was
'accustomed... to have [his] word believed without witnesses' and took
exception to persons challenging his record of events. In sum, his
contribution to the mediumship of Florence Cook is problematic, and it
is unfortunate that it was he rather than another researcher who
investigated her.
Fortunately, despite the customary image presented, the mediumship of
Florence Cook was certainly not dependent upon the testimony of
Crookes, and her talent, as Spiritualism itself, is more than capable
of standing on its feet without having to gain endorsement from
elsewhere. The accusations made concerning Crookes is not a major
concern as Florence's mediumship was witnessed by many others who made
the quality of this more than evident.
An example of the many testimonies given concerning Florence Cook's
mediumship is that of Aksakoff, a Russian aristocrat; he reported how,
when attending a seance, the medium was bound 'with twined tape and
sealed knots', and her hands were brought behind her back and these
were also bound. Then, a lengthy piece of tape was fixed to her that
was brought outside from where she was sitting: this would indicate any
movement by her. After a short period, and light from a lamp being
present, they saw 'a human figure standing upright... it was completely
clad in white... That was Katie... All the time the sitting lasted Katie
chattered away with the sitters'. Katie asked whether there were any
questions and Aksakoff asked to see Florence; Katie invited him to
where Florence sat and on not being able to see her adequately was told
by Katie to use the lamp. He did so and there was Florence, 'in a deep
trance... sitting on a chair, with both her hands bound fast behind her
back'.
Such occasions were important as the common challenge was that Katie
King and Florence Cook were in fact the same person, as they were very
similar in appearance. Apart from Crookes seeing both women at the same
time during a seance on 29 March 1874, Katie was taller than Florence,
her ears were not pierced as Florence's, her face was larger, her hair
was of a different colour, together with other physical differences. In
addition to these disparities, Florence wore black during seances, but
Katie was always clad in white apparel. Furthermore, at one seance,
Florence was suffering from a blister on her neck, but when Katie
materialized, no blister was present on her. There was also the
occasion when Katie had dye placed on her hands, but none was found on
Florence.
In addition to the photographs taken of Katie by the Daily Telegraph
reporter, Crookes took forty-four himself. When Florence Marryat
detailed her experiences, she related how, through the complexities of
materialization, that Katie sometimes resembled Florence, while at
other times 'she was totally different' She added that she possessed a
photograph of Katie taken while Florence looked on. She had also seen
Florence's 'dark curls nailed down to the floor, outside the curtain,
in view of the audience, whilst "Katie" walked about and talked with
us'.
In March 1874, Varley, a Fellow of the Royal Society, conducted a test
where platinum wires were fastened to Florence with a low electric
current running through her body and making her part of an electrical
circuit. Varley demonstrated how even a movement of her hands would
register on the galvanometer through which the current passed. After
Florence fell into trance, Katie materialized (with no wires attached),
moved around the seance room and spoke to the sitters. Varley testified
that 'the current was not interrupted an instant during the whole
seance', and when Florence became conscious, he found the wires 'were
exactly as I had left them them'.
It is claimed that Katie has materialized in other locations since the
time of Florence's mediumship, e.g. Philadelphia, Winnipeg and Rome. In
the case of the latter (in July 1974), a series of remarkable
photographs were taken of the event that lasted a full thirty minutes.
In this, Katie greeted the twenty - three sitters present, and after
embracing the medium, dematerialized leaving gladioli and rose petals
behind. Interestingly, when Katie made her last appearance with
Florence Cook as the medium, she left a flower with each sitter.
After Katie King departed in 1874, Leila became Florence's control; in
1875, Mrs Crookes wrote to Florence saying that 'most of the seances
have necessarily been held here, but Leila has also appeared at three
other houses... on several occasions we have all seen you and Leila at
the same time'. Mrs Crookes also referred to physical differences
between Leila and Florence in this letter. Other materializations
occurred through Florence's mediumship: in an undated letter to
Blackburn, Florence told him how 'A full form appeared in less than 5
minutes... The spirit was neither Katie nor Leila.'
After the period of Leila as control and a period of inactivity by
Florence, a French girl calling herself Marie took on this role; she
remained Florence's control for much of the period until shortly before
Florence's death. A photograph was taken of her at a seance in about
1902, and appeared in Psychic Science (January 1927); one of the
sitters made the important observation that those present 'saw the form
of the tall slim young woman that appears in the picture; Mrs Corner
[Florence Cook] being short, rather stout, and of darker complexion'.
As Medhurst and Goldney note: '"Marie" and other "spirit forms", would
emerge, sometimes singly and sometimes together. Most of the reports
stress that "Marie", normally bare-footed, was a number of inches
taller than Florence, this being stated by several authors to have
ascertained by direct measurement'. Although the writers refer to the
difficulty in determining the accuracy of such reports, they agree
there are a number that 'give a fair amount of detail'.
Florence's ability as a medium was still very much present in her later
life as can be seen by events in 1900 when the sitters declared: 'We,
the undersigned, testify... we saw Mrs Corner and her control, "Marie",
at the same time'. Before this seance, Florence dressed in the garments
provided and 'was not left a moment alone. She was most securely bound
to her chair, which was fastened to an iron ring in the floor and each
hand was tied to an arm of the chair... everything was found intact
afterwards'.
In addition to materializations, Florence's mediumship also facilitated
direct writing. This was reported to have occurred on tables some
considerable distance from her, and written communications from persons
who had been known to the sitters were provided.
Through Florence's mediumship, communicators other than the control
could speak to the sitters. Although there was a dearth of sitters from
the SPR (Society for Psychical Research), on an occasion in May 1903
when one was present, Miss Dallas, 'a respected figure in the Society',
she recorded that a figure in white emerged after Florence, dressed in
black, had been secured to her chair. This was followed by a noise from
the cabinet, the unrefined voice of a man who spoke affectionately
about Florence, saying that she had helped him grasp the reality of the
next life.
Until only months before her death in South London in 1904, Florence
was continuing to demonstrate her mediumship. The final words may be
those of the communicator referred to above. Miss Dallas also detailed
how after he had spoken of the assistance received from Florence, he
reminded the sitters of the reality that he had now discovered through
her patient help: he did this in one succinct statement: 'You are never
dead'.