The work of John Myers is possibly little known as the activity
of spirit/psychic photography has come to be viewed as dubious by
many. Nonetheless, in the case of this medium, Maurice
Barbanell states that in his career of investigating
Spiritualism, he had not encountered 'a more dramatic example
of what spirit power can achieve'. In fact, although the
name of John Myers is almost wholly linked to the activity
of spirit photography, his mediumship also included remarkable
healing and clairvoyance.
Barbanell only heard of John shortly before the Psychic News
began in 1932. This was after a test seance in which John
successfully brought about 'extras' in the photographs that
were taken. In John's dental surgery in London, with nine persons
present, A. W. Palfrey broke the seals of some photographic
plates that he had purchased, and loaded them into slides: 'All
that Myers was allowed to do was to release the shutter of the
camera. Palfrey alone handled the plates and their
development'. When the photographs were developed, two
'extras' were included on them. On hearing about the
incident, Barbanell became interested in John's work and subsequently
met him on many occasions. Of his knowledge of John,
Barbanell states; 'Technically, he knew nothing about
photography, and this ignorance of the subject still largely
obtains today'.
Events during John's childhood were clearly relevant to what would
follow. At the age of five, living in East London, he was
bitten by a rabied dog and almost died. After lapsing into a coma and
delirium, his family gathered around him, awaiting his death.
However, he suddenly recovered and 'to the doctor, the boy's
dramatic recovery was capable of no medical explanation'.
It was after this event that John began to be aware of another
world and its inhabitants, that could not be seen by others e.g. he saw
children, and a woman whom he described as his 'guardian angel'.
Years later, John saw a notice by the Victoria Psychic Research Society
and attended one of its meetings. A number of factors
then occurred that made him consider and pursue the subject . One
of the significant events was when he attended a seance by Mrs
Deane, a spirit photographer: the seance was a failure and John
asked whether he might try to bring about some results, and on doing
this, extras appeared on the plates. The Society was willing to
help him and consequently formed a circle to achieve this.
All the members of the circle tried to obtain results but without
success: 'All, that is, except Myers. On plate after plate
that he exposed were clear-cut indications of psychic markings for
which there was no normal explanation'. Most important was the
fact that on one of the plates, an image appeared and was
identified of that of a woman who had died some weeks
earlier. Indicative of the importance of John's
ability, is that an account of what he was achieving was
published on the front page of the very first issue of
Psychic News.
Shortly afterwards, Barbanell sent A. W. Austen, a sceptical
journalist to undergo a test with John. Austen purchased plates
that he kept in his possession until they were placed into the camera;
this was done in his presence, as was the development.
Additionally, each plate was signed when loaded. In the presence
of a number of people, including Barbanell and Austen, John
exposed the plates. After the first one was blank, he then walked
about the room in a semi-trance and further ones were exposed.
During this time, he referred to persons whom he believed were
attempting to communicate; one of these was someone whom
Barbanell had known. John gave the person's name and other pieces
of personal information by which he could be identified.
The plates were then taken away to be developed; on one, the
image of the very person to whom John had referred was
present. Barbanell goes on to report how: 'this result gave
Austen's scepticism a mortal blow, for there was no normal explanation
as to how... [the] face could have appeared on the
plate'. Moreover, 'the plates, which he had bought, had
never been out of his sight'.
A further test was then conducted with members of the Press
Portrait Bureau. They were to purchase the plates and be present
when loaded, together with signing them and monitoring the
development. Before the test, John advised Barbanell that he
believed the playwright, Edgar Wallace, would make himself known and
asked for Hannen Swaffer, who had known Wallace, to be present at the
test. This took place with the two representatives of the
Press Portrait Bureau, who not only took all the precautions outlined,
but, without informing others who were involved, went further and
marked the plates as well as signing them to ensure they could not be
exchanged with any others. Photographs were then taken and when
they were developed, 'there was a perfect likeness of
Wallace'.
As claims were made that spirit photography simply made use of
already-existing photographs, Barbanell then made a challenge that a
similar photograph of Wallace, taken before his death, be
produced. As Barbanell reports: 'Nobody could do so nor has
since done so'. He went on to add how, 'at an Estelle
Roberts seance, not long afterwards, Wallace communicated and gleefully
referred to his accomplishment'. As an example of the
importance of what had occurred, the Daily Express reported the
incident on its front page.
Apart from the sensation that John was causing, he, as a medium,
provided assurance of survival to those who were grieving for
loved ones who had died. In one case, Sidney Arnold sat with
John, and Arnold's late wife appeared on the photograph prompting
Arnold to say that through John's mediumship, he had received
'the indisputable likeness of my wife', and 'his
psychic power is unique in its achievements'.
Barbanell cites numerous cases of sitters receiving photographs
that included images of those of who had died. One
instance was when Dr Gaster, the Chief Rabbi of the Sephardic
Community in England, who applauded John's mediumship: he provided a
statement referring to the images of those who appeared for him
and a Mrs Blumenthal. In the case of the latter, her father
was 'clearly recognizable' in the photograph.
John accepted a challenge from the Marquess of Donegall, details
of which were supplied by Will Goldston, a leading magician, who
was also present: the account was published in Psychic News (15
October, 1932). The Marquess had offered to make a payment
if John was successful, but the medium, while agreeing to the
test, declined the offer of payment. In the test, John had
no involvement in the purchase of the photographic plates, nor
even in the loading or the development. All that was required of
him was to be present when the photographs were taken. After purchasing
the plates, the Marquess went with Harry Folkard, the art editor of the
Sunday Dispatch, who was to develop the pictures, to the location
of the test.
On arriving, the Marquess went with John to load the plates in a dark
room, with John having no contact with them. Each plate was
signed by the Marquess as they were loaded into the slides which were
then placed into his pocket. Folkard examined the camera and
confirmed that he was satisfied it was in order and then set this up
with the plates from the Marquess's pocket. John then went into a
light trance and described next-world visitors whom he could see;
his presence there only serving as the means by which the phenomena
could occur.
Each exposure was of a lengthy period of time that should
have caused the photographs to be blackened. As each one was
taken, the Marquess numbered the plate and as stated, John did not come
into direct contact with them. The Marquess and Folkard then
developed the photographs. One had some form of extra, but
because of its vagueness, was dismissed. Another had an
image on it that Goldston said, 'tallies closely with the
description that was given to us [by John]'. In the case
of the sixth, there was the image of 'two very striking
faces of women. They are clear and beautifully formed... To
sum up, we may say that Myers' claims were fully substantiated by our
sitting'.
The Marquess was mystified by what he had seen, and requested a further
demonstration: however, at this, events took place that led to a
long-running and bitter disagreement. The Marquess accused John
of being a fraud as he believed that he had substituted the
plates, although this was not based on actually seeing such a thing,
but simply hearing the sound of glass upon glass. Not
surprisingly, John was dumbfounded at the accusation, particularly as
the Marquess claimed to be an unbiased researcher. Furthermore,
as Barbanell points out, apart from the Marquess not even seeing what
he claimed John had done, the medium lacked a part of his right
hand that would have been necessary for any deceit such as the
switching of plates to have been carried out. Fortunately,
despite this event, John's mediumship continued and thrived.
John's mediumship was particularly interesting as it was sometimes
possible for sitters to verify the visual communications with other
mediums. One such example was when Mr and Mrs Farebrother had a
sitting with John and their eldest son appeared in the photograph
taken. Later, during a sitting with Estelle Roberts, Jackie,
their youngest son, communicated and mentioned that he had attempted to
show himself on the photograph but had been unsuccessful; he
further added that on the next occasion he would succeed. When Mr
and Mrs Farebrother had another sitting with John, 'To their
great delight Jackie kept his promise'.
In 1935, R. Laurence Parish, a wealthy American businessman, became
aware of the publicity surrounding John and contacted Barbanell to
enquire about having a sitting with the medium. This was
arranged, and after a preliminary sitting, Parish asked that he have
another sitting in which he would 'handle every part of the
process from loading the camera to taking the pictures, developing the
plates and making the prints'. John agreed to this and the
sitting took place in the Savoy Hotel and 'the results turned out
to be even superior to those obtained with Myers' camera. The
pictures were more distinct, both as regards the subject and the
extras'. A further development occurred when Parish asked whether
John would assist him with an ailment that had greatly troubled him for
some ten years, together with the progressive worsening of his
sight. John said that he would attempt to help, and in both
cases, Parish was cured within a few days of meeting John for the
healing.
Parish, naturally impressed by John's mediumship, suggested that he go
to America to demonstrate his mediumship, and also join him in his
business activities. Encouraged by Barbanell to take up the offer, John
departed to continue his career abroad. It was not long before he
demonstrated his remarkable skill in healing there: one notable
instance was Perry Moran who suffered from a spinal injury that was
steadily worsening, and even with morphine, was often unable to move
about. In front of witnesses, John visited Moran in his hotel
room and 'touched his leg, foot, spine, and asked him to try and
walk... Of his own accord Moran walked around the room and out
into the hall...' Consequently, 'the talk about this cure
spread like wild fire. Soon the Hotel was ablaze with
excitement. Newspapers wanted to have the story'. In fact
people were even enquiring about whether 'there was "an
English Jesus Christ in the hotel"'.
As noted, confirmation of the authenticity of John's
mediumship was given through the medium Estelle Roberts. She
confirmed that, 'on several occasions, through my direct-voice
mediumship, spirit communications confirmed that they had appeared on
John's spirit photographs'. In Barbanell's He Walks in Two
Worlds, detailing John's work, Estelle supplies details of
several instances of when John's mediumship was verified in
communications that were unconnected with the spirit photography.
An example was when E. A. Reeves, a geographer who often sat with
Estelle: on one occasion, Gino Watkins, an explorer who had died
while on expedition in Greenland and someone well-known to Reeves in
view of his work in the Royal Geographical Society, communicated.
This was followed by Watkins appearing on a plate during a test sitting
given by John at the British College of Psychic Science;
the photograph was shown to Reeves and he 'had no doubt that it
was Watkins'. Only a short time later, Estelle, unaware of
the earlier incident was giving a sitting in which Reeves was
present. His son communicated and referred to how Watkins had
succeeded in getting 'his picture through'.
One of those who had the benefit of sitting with John was Fodor,
a New York psychoanalyst and psychic researcher. Barbanell refers
to how he had been left unimpressed with what he had witnessed in his
research, but 'his outlook, however, dramatically changed when
Myers invited him to a demonstration'. In Fodor's Encyclopaedia
of Psychic Science, he mentions how extras would appear on plates
while John was in a light trance. There is also reference to the
Marquess of Donegall's accusation in the second sitting that he had
with John, but Fodor says that while this did cast a cloud over John's
mediumship, this 'left part of his previous admissions
unaffected'.
Publicity of John's mediumship resulted in the medium appearing
on television. After seeking Barbanell's view about whether he
should do this - something that Barbanell did encourage him to do - he
took part, but rather than being a discussion of his mediumship,
it became a test of same. During this time, the
interviewer, who had purchased photographic papers at a shop unknown to
John, discovered that extras had appeared even though John had no
physical contact with them. Even more startling was that fact
that, 'all the extras appeared as negatives instead of positives,
thus reversing the normal process'.
The name of John Myers is one that can undoubtedly be associated
with both spectacular physical phenomena and the evidence these can
supply. In 1964, Barbanell completed his book about John's
mediumship, and he rightly summarizes John as someone who
'continues to be that rarity among human beings, one who walks in two
worlds at the same time'.