One of the descriptions of
Stella Cranshaw, better known as 'Stella C.', was that she
was 'a simple, well-educated girl whose main interest in life was
not in psychical science at all, but to whom "odd" things
occurred'.
After being 'discovered' by Harry Price in 1923, Stella
undertook thirteen sittings with him early in the same year:
after a break, possibly through becoming engaged, she resumed sittings
from February 1926. Stella had a degree of interest in the
phenomena that surrounded her, but she had no wish to actually probe
them for a meaning. As Tabori notes: 'She thought them
strange but felt little concern about them. She was perfectly
happy in her chosen career - a hospital nurse and dispenser'; her
amiable disposition led Price and his colleagues to refer to Stella as
the 'gentle maiden'. When Price met Stella, she 'knew
nothing whatever about psychical research, and had never sat with a
circle of investigators'.
In the years leading up to her chance encounter with Price, she had
often been the focus of different phenomena, e.g. strong breezes,
object movement, rappings and lights, but had done nothing to
investigate them. The breezes were of particular interest
due to their highly unusual character. It was noted that when
Stella was motionless, a breeze would 'sweep across the room,
taking in its path the flowers, which bend under the strain'.
Such occurrences even took place on occasions when she was in a room
where the windows and doors were firmly closed, or a 'hot, still
night, when not the slightest ripple in the atmosphere has been
noticeable in the open air'. Of those who witnessed the lights
which would sometimes appear, they compared these to the sparks
generated by an electrical discharge. Tabori mentions that Stella
had only attended one seance in her life before meeting Price:
this was 'at the age of eleven - and then had to be removed
from it because of a fit of unconscious giggling'.
Price presumably believed that in Stella, he had found someone with
considerable mediumistic abilities; he therefore asked her to
co-operate in his work, and was surely delighted when she agreed.
In the case of the first series of seances with her, a
thermometer was placed within the room and invariably a reduction in
temperature, sometimes quite dramatic, was noted during the
proceedings. It was interesting to note that the temperature
reduction coincided with the more powerful phenomena. Careful
records were made of the seances and these documented the types
of phenomena manifested. In the seance room, a sixty-watt
lamp was available, controlled by a rheostat. Furthermore,
despite the criticisms made of doing it, incense was burned; it
was not through any belief that it would, or could directly assist the
phenomena, but simply because Stella enjoyed this. A musical box
was also used. The regular sitters included a number of
people from varied backgrounds, e.g. Mercy Phillimore, the General
Secretary of the LSA, Lt.-Col. W. W. Hardwick, the Managing
Editor of Light, H. W. Pugh, an SPR member, David Thomas, a
retired barrister, and Harry Price. Those who were not regular
sitters, but attended a number of the seances, included Everard
Feilding who had carried out successful research with Eusapia
Palladino, and Dr Dingwall, the Research Officer of the
SPR. When the seances took place, one of the regular
sitters sat on the right of Stella and controlled her right hand
and foot, and Price sat on her left controlling Stella's hand and foot
on that side. In the midst of this, it was noted:
'Never was a medium easier to control than Stella. She did
exactly as she was requested, and made no comments - in fact, she
hardly spoke all'.
The records that were made provide a truly remarkable insight into what
the sitters were fortunate enough to witness. In the first seance
on 22 March, 1923, after twenty minutes from the commencement, the
table began to move and rose up on two legs and quickly moved across
the room. After this, 'the table then oscillated, and was
apparently controlled by an intelligent entity'. The red light
was then switched off although a little light still entered the
room through the window: at this, the table moved even more
dramatically. During the seance, one of the sitters noticed
a 'column of pale phosphorescent light just behind the
medium'. On checking the temperature of the room when the
seance concluded, it was discovered that it had fallen by eleven
degrees. In the second seance on 29 March, 1923, the table moved
almost constantly throughout the period and it was noted that one
of the sitter's hands had become obscured by 'some
substance (teleplasm?)'. During the latter period, the table movement
was accompanied by raps given in response to questions asked, and
breezes were also felt by all the sitters present. Once again the
temperature fell dramatically. It was also reported that Stella's
position in the room made it 'physically impossible for her
normally to control the table in any way'.
In the third seance on 5 April, 1923, the table levitated and was
followed by communication achieved by rapping. It was then
decided to use a table again whereupon it levitated several
times; in one case it rose above the heads of the sitters
who had to rise up to keep some contact with it. However, one
unfortunate sitter who decided to remain in his seat was struck by it
and then had it descending to rest upon his chest. After the
sitters had resumed contact with the table, two of the legs broke
away. This activity took place with either a full red light or a
degree of daylight. In the fourth seance on 12 April, 1923,
after yet further table movement, the sitters ascertained that Stella's
control was called Palma, apparently a young child, presumably
explaining the gusto displayed in the table communication/ movement.
Tabori refers to her as 'an intelligent entity which followed
requests and moved a heavy oak table in accordance with the directions
given'. Later in the seance, Stella fell into a light trance
state and said that she was seeing a copy of the Daily Mail,
relating to thirty-seven days ahead (i.e., 19 May, 1923).
She also reported that she could see a reference to an 'Andrew
Salt' in large characters and felt this was connected with a boy
falling and a man, who seemed to be of the medical profession,
stooping over the boy and giving him white powder from a
container. As none of the sitters could understand any
of this, little attention was given to what had been said.
However, on 19 May 1923, it was noticed that the Daily Mail had a full
page advertisement on its cover page. This was for 'Andrews
Liver Salt' in large characters, together with a boy pouring, or
allowing the falling of white powder from a container. The
number of correct features of Stella's description when
compared with the advertisement was totalled as being ten, possibly
eleven. The only item missing from all the features that Stella
had mentioned was a man with a medical connection, although it was
noted that the product itself was of a medicinal type.
Enquiries were made into the background of the advertisement and
it was ascertained that the advertisement had not been in any poster
display; moreover, the Daily Mail confirmed that it was only
three weeks before the publication date (i.e., at the end of
April) that it had been requested to publish this particular
advertisement; in fact another had been planned for this issue,
but the arrangement had been changed, and furthermore, changed after
the time of Stella's vision. Price observed of
this: 'I have no explanation or hypothesis to offer for the above
amazing case of prevision'.
In the fifth seance on 19 April, 1923, there was, in full red light,
the usual table movement, and when Palma was asked to communicate by
rapping, the sitters were confronted by four different types which
occurred in different areas at the same time. Further progress
was made when an experiment was carried out with the table; in
this instance the medium and sitters moved well away from the table and
had no contact with it and yet it was seen to move, accompanied by raps
being made. After this, the table moved towards Hardwick,
injuring his knee; when it rose up on two legs, all the sitters
present tried to push it down but were unsuccessful. One only has
to consider the power that must have been made present by the
communicator(s) to gain some idea about the energy of the
phenomena manifested through Stella's mediumship.
Another such occasion was during the sixth seance, on 3 May 1923, when
the table 'started to wander around the room, compelling the sitters to
relinquish their seats'. In the same sitting, two other events
took place; firstly a large piece of lilac fell down on to
the table. Although a vase of lilacs had been in the seance
room earlier on, this had been removed to another room on a different
floor, and Price agrees that there was 'no explanation... as to
how it apparently fell from the ceiling on to the table top'.
Secondly, those present were fortunate to witness how a 'bright
blue... flash appeared over the head of medium. These
flashes were repeated six times'. Indicating an intelligence
behind this particular phenomenon, while the lights were appearing, the
name of one of the sitters was rapped out, together with
other words.
The seventh seance on 10 May, 1923, manifested yet further
phenomena; in addition to the table movement and rapping, a
handbell under the table was moved (during this time, the hands
of all the sitters were linked and visible, and the feet of each
sitter were touching the person on either side). This was
followed by notes being played on the mouth-organ, also under the
table; this was accompanied by a bright flash of light
above one of the sitters. Further notes were then played on
the instruments. One of the sitters stated that she observed a
formation of ectoplasm above the medium, while another saw what
was believed to be Palma. The seance also experienced breezes and
the movements of different objects. For the first time,
Stella became fully entranced and it was noted that when this occurred,
there was a greater assortment of phenomena.
The events which took place in each seance as the series continued,
clearly indicated the progress being achieved. The reality
of this was made apparent by the eighth seance on 17 May,
1923. As soon as the seance began, breezes were felt and
different musical instruments placed within a cage area under the
table, were played. There were also several occasions of
lights being seen above Stella's head. In the case of the
instruments, Dr Fodor refers to how they were encased by wood from an
outer table and the gauze mesh of the inner table, but
'nevertheless, the operators of Stella C. found no difficulty in
getting within and playing upon the instruments'.
In the ninth seance on 24 May, 1923, the sitters spoke to Palma who
responded by clear raps to indicate that she was responsible for the
phenomena; these included the musical instruments again being
played, accompanied by lights appearing in the seance room and obvious
movement of different objects. The remaining seances on 7
June, 21 June, 27 September, 14 October, were no less
spectacular. Shortly before the last seances, there had been some
discussion about Stella going to America, but for various reasons this
did not occur. There was a break until 1926 with Stella having
taken up employment in Clerkenwell with a business of silversmiths.
The next seances took place between February and July 1926
(numbering eighteen), then in 1927 (the only report that
exists is for the one on 28 April), and were followed by further
ones between March and July 1928. In these, the phenomena
continued. The 1928 series included sitters who had a noted
scientific background, e.g. Professor Julian Huxley, Dr E. B. Strauss,
and Lord Charles Hope; the observation of the latter in
respect of the 1928 series is enlightening. Writing in the SPR
Journal, he recorded: 'At three out of the last four
sittings considerable phenomena were obtained, clearly denoting a
supernormal origin... These phenomena, although not appearing to
indicate the direction of any profound intelligence, yet did not
give the impression of an uncontrolled force at work'. This
series included object movement, rapping (in one case, it kept
time with the music being played), breezes, and sitters becoming
aware of sensations on their own bodies.
After Stella married Leslie Deacon in 1928, she had no further
involvement in the subject of psychical research, although she
kept in contact with Price after this date. Tabori notes that
Stella 'was one of the very few mediums in whose
genuineness all the people who sat with her believed without
reservation. She was never "temperamental", she did not
demand any special ritual and made no stipulations'.
In the very short time during which Stella was prepared to undergo
tests, she revealed something of the potential of
undeveloped physical mediumship. It is natural to wonder what she
would have been able to achieve under different circumstances.
Undoubtedly, the phenomena produced by her were far less than in the
case of many other physical mediums, but the noteworthy factor is
the amount produced in such a short period of time and under such
stringent conditions. It is surely because of this, one
name that will always be remembered in the list of powerful physical
mediums of twentieth century Britain is that of Stella
Cranshaw, 'the gentle maiden'.