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DR CHARLES RICHET








MEDIUM  MARTHE BERAUD
aka: EVA CARRIERE or EVA 'C'















PHOTOGRAPH 1








PHOTOGRAPH 2A









PHOTOGRAPH 2B









PHOTOGRAPH 3



Marthe is seen seated.  Note the helmet covered with drapery, the height of the figure which is in front of Marthe, not apparently supported by lower limbs.  Her stereoscopic photograph is much better than this one.

Charles Richet notes in Thirty Years of  Psychical Research:

"The materialization's produced were very complete.  The phantom of  Bien Boa appeared five or six times under satisfactory conditions in the sense that he could not be Marthe masquerading in a helmet and sheet.  Marthe would have had not only to bring, but also to conceal afterwards, the helmet, the sheet, and the burnous. Also Marthe and the phantom were both seen at the same time.

"To pretend that Bien Boa was a doll is more absurd still; he walked and moved, his eyes could be seen looking round, and when he tried to speak his lips moved.

"He seemed so much alive that, as we could hear his breathing,  I took a flask of baryta water to see if his breath would show carbon dioxide.  The experiment succeeded.  I did not lose sight of the flask from the moment when I put it into the hands of Bien Boa who seemed to float in the air on the left of the curtain at a height greater than Marthe could have been even if standing up. While he blew into the tube the bubbling could be heard."









PHOTOGRAPH 3



Materialisation of M Furtado, with a death's-head (after Mme.Frondoni-Lacombe).

Charles Richet notes in Thirty Years of Psychical Research:

"On December 18, 1914, Countess Castelvitch, Mme. Ponsa, Mme. Furtado, M. and Mme. Lacombe were present in the house of the Countess Castelvitch. Through the table Mme. Furtado's husband was alleged to be present, but that he would not allow himself to be photographed because he had forgotten what his face was like, but he said that his companion would come in his place.  This companion was his mistress, he having been separated from his wife; and in fact a veiled woman was photographed, causing great fear in Mme. Furtado, who declared she would never be present at any more séances.  At the next séance  (December 27, 1914), M. Furtado announced his presence again and said,  "I have no face, but I will make one,"  and the phantom photographed is a tall person clothed in white, but the face is that of a death's-head.

"It is difficult or impossible to imagine that these are frauds or illusions.  Fraud was not easy.  In order to show a French officer, a nun, a phantom with a death's-head, and an Arab soldier a whole series of costumes would be needed, to be bought at a shop and to be used at the séances where hands were held, if not rigorously, yet sufficiently well. And why should this be done?  If Mme. Lacombe wished to deceive she might have given stranger things.  There is no reason to suspect the good faith of  Mme. Furtado, who was very skeptical, nor of  Mme. Ponsa, who was Mme. Lacombe's intimate friend."



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